THE RIMINI MISSION. Material, History, Conversation. The Rimini Altarpiece

3 November 2021 to 24 April 2022

It is one of the world’s most important late medieval works of art made of alabaster and a major work in the Liebieghaus Skulpturensammlung: the Rimini Altarpiece (c. 1430). As of 3 November 2021, following extensive conservation, it will once again be on view in the museum’s outstanding permanent exhibition.

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Press text

Press release

THE RIMINI MISSION
Material, History, Conservation. The Rimini-Altar
3 November 2021 – 24 April 2022
Liebieghaus Skulpturensammlung

It is one of the world’s most important late medieval works of art made of alabaster and a major work in the Liebieghaus Skulpturensammlung: the Rimini Altarpiece (c. 1430). As of 3 November 2021, following extensive conservation, it will once again be on view in the museum’s outstanding permanent exhibition. Over the past four years, a wide range of conservation and conservation measures have been carried out on the Rimini Altarpiece, primarily a particularly gentle surface cleaning using laser technology as well as gypsum-saturated agar gel compresses. In addition, a comprehensive art-technological examination of the work was carried out. Not only were fundamental insights into the technical construction of the altar gained, but further scientific research by the BRGM (Bureau de Recherches Géologiques et Minières) in Orléans also revealed the region where the alabaster stone was quarried – results that will provide new impetus for art historical research into the oeuvre of the Master of the Rimini Altarpiece. In a concentrated special exhibition, the results of this international conservation project will be made impressively visible to the public. In four sections, the Liebieghaus conservators, Harald Theiss and Miguel González de Quevedo Ibáñez, and Stefan Roller (Head of the Medieval Collection) explain the characteristic properties of the material alabaster, as well as the individual steps of the art-technological analysis. In addition, they illustrate the challenges of conserving this highly sensitive material and address questions of sculpture technique, as well as the original colouration of the artwork. The highlight of the special exhibition is the presentation of the masterpiece in a custom-made 4.0 × 3.5-metre display, the form of which is based on contemporary Dutch altars.

The exhibition ‘THE RIMINI MISSION’ is supported by the Kulturfonds Frankfurt RheinMain gGmbH, and received additional support from the Städelscher Museums-Verein. The preparatory conservation work and the publication were made possible by the Ernst von Siemens Kunststiftung. A publication will be published by Deutscher Kunstverlag to accompany the exhibition, summarizing the results of several years of research supplemented by art historical contributions. It is the first monograph on the Crucifixion Altar from Rimini.

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Press images

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Natherlands, c. 1430 (Detail)
Alabaster,
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Crucifixion altarpiece from Rimini, Detail

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Netherlands, c. 1430 (Group around Mary, various stages of restoration)
Alabaster, H 47 x B 34 x T 16.5 cm
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Group around Mary, various stages of restoration

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Netherlands, c. 1430 (Group around Mary, after restoration)
Alabaster, traces of Pigment, H 47 x B 34 x T 16.5 cm
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Group around Mary, after restoration

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Natherlands, c. 1430 (Detail)
Alabaster, traces of pigment
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Crucifixion altarpiece from Rimini, Detail

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Natherlands, c. 1430 (Detail)
Alabaster, traces of pigment
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Crucifixion altarpiece from Rimini, Detail

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Netherlands, c. 1430 (Detail)
Alabaster, traces of pigment
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Kreuzigungsaltar aus Rimini, Detail

Master of the Rimini Altarpiece
Crucifixion altarpiece from Rimini, Southern Netherlands, c. 1430 (overall view before restoration)
Alabaster, traces of pigment
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Crucifixion altarpiece from Rimini, Southern Netherlands, c. 1430 (overall view before restoration)

Restoration of the Rimini Altarpiece: view of conversation studio
Liebieghaus Skulpturensammlung, Frankfurt am Main
Photo: Liebieghaus Skulpturensammlung

Restoration of the Rimini Altarpiece: view of conversation studio
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Pamela Rohde

Head of Press and Online Communication
rohde@staedelmuseum.de
+49(0)69-605098-170

Jannikhe Möller

Deputy Head of Press
an Moving Images
moeller@staedelmuseum.de
+49(0)69-605098-195

Susanne Hafner

Press and Online Communication
hafner@staedelmuseum.de
+49(0)69-605098-212

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Dates

2 Nov. 2021, 11.00 am
Press conference and preview

THE RIMINI MISSION. Material, History, Conservation: The Rimini Altarpiece

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